jo.\*:("Studies in Iconography")
Results 1 to 25 of 81
Selection :
Guercino's Et in Arcadia Ego and Apollo Flaying MarsyasBERNSTOCK, J.Studies in Iconography. 1987, Vol 11, pp 137-183Article
Emblem and Rape in Shakespeare's Lucrece and Titus AndronicusROBIN BOWERS, A.Studies in Iconography. 1984, Vol 10, pp 79-96Article
The Pagan Reliefs in Giovanni Bellini's Blood of the RedeemerTHOMAS, T.Studies in Iconography. 1984, Vol 10, pp 67-78Article
Vasari's Temptation of St. Jerome Paintings : Artifacts of His Camaldoli CrisisCLARK, D. L.Studies in Iconography. 1984, Vol 10, pp 97-118Article
Richardson's Colbrand : The Figure of Wrath in the Renaissance and in PamelaBROWN, M. L.Studies in Iconography. 1987, Vol 11, pp 205-230Article
An additional Eucharistic allusion in Van der Weyden's Columba triptychMcNAMEE M. B.Studies in Iconography. 1976, Vol 2, pp 107-113Article
Disguised symbolism exposed and the history of early Netherlandish paintingBENJAMIN L.Studies in Iconography. 1976, Vol 2, pp 11-24Article
Leonardo's Virgin of the Rocks (Musée du Louvre) : a Franciscan InterpretationSNOW SMITH, J.Studies in Iconography. 1987, Vol 11, pp 35-94Article
Meaning in Ercole de'Roberti's Pala PortuenseMANCA, J.Studies in Iconography. 1987, Vol 11, pp 15-34Article
Medici Patronage and the Iconography of Fra Angelico's San Marco AltarpieceMILLER, J. I.Studies in Iconography. 1987, Vol 11, pp 1-13Article
The Parables of the Houses Built on Rock and Sand : A Case for Moralizing Terrains in Seventeenth-Century Dutch PaintingLAWRENCE, C.Studies in Iconography. 1987, Vol 11, pp 185-203Article
An iconographic source of LuciferaRUSH B. B.Studies in Iconography. 1976, Vol 2, pp 121-125Article
... Chè Quivi Per Canti... (Purg., XII, 113), Dante's Programmatic Use of Psalms and Hymns in The PurgatorioLA FAVIA, L. M.Studies in Iconography. 1984, Vol 10, pp 53-65Article
Natura plangens , the Ruthwell Cross, and The Dream of the RoodBAIRD, J. L.Studies in Iconography. 1984, Vol 10, pp 37-51Article
An interpretation of Agostino Carracci's Galatea in the Farnese galleryCHAPPELL M.Studies in Iconography. 1976, Vol 2, pp 41-65Article
Toward an iconography of medieval poetic formsFLEMING J. V.Studies in Iconography. 1976, Vol 2, pp 3-10Article
The Female Holy Spirit (Shekhinah) in Michelangelo's Creation of AdamSCHUYLER, J.Studies in Iconography. 1987, Vol 11, pp 111-136Article
Nicolaes Berchem's Painting An Allegory of the Seasons and ElementsJANSON, C.Studies in Iconography. 1984, Vol 10, pp 145-158Article
Star, Crown and Tongue| Forms and Symbols in an Eighteenth Century Pilgrimage ChurchHEISNER, B.Studies in Iconography. 1984, Vol 10, pp 159-168Article
J. M. W. Turner's Dolbadern Castle, North Wales : the Tower and the CaptiveMITCHELL, D.Studies in Iconography. 1987, Vol 11, pp 231-252Article
Verbal Icons : Paradigms of Death and BirthBOLTON HOLLOWAY, J.Studies in Iconography. 1987, Vol 11, pp 95-110Article
Whaling the Daylights out of Authority : Postmodern Humor and DuchampOLSEN, A; OLSEN, L.Studies in Iconography. 1987, Vol 11, pp 253-262Article
Fallen Earth and Man in Nature : William Blake in Iconographic TraditionCHAYES, I. H.Studies in Iconography. 1984, Vol 10, pp 169-195Article
On the Origin of Zoanthropomorphic Evangelist Symbols : The Early Christian BackgroundWERNER, M.Studies in Iconography. 1984, Vol 10, pp 1-35Article
Stagi, Betti and Zocchi at S. Carlo dei Barnabiti| Style and Meaning in Florentine Quadratura of the Late BaroqueNEUMAN, R.Studies in Iconography. 1984, Vol 10, pp 119-144Article